Archive for April 17th, 2012

April 17th, 2012

kvltkunt: like looking into a crystal ball. Betty Draper all…



kvltkunt:

like looking into a crystal ball.

Betty Draper all grown up

April 17th, 2012

strange-geometry: Bath + Reading = a dangerous…





strange-geometry:

Bath + Reading = a dangerous but ultimately rewarding experience

relevant

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April 17th, 2012

"Why has it been difficult for feminists to imagine violence as a viable strategy for political…"

“Why has it been difficult for feminists to imagine violence as a viable strategy for political transformation? Why, despite a documented history of women’s violent struggle, have women tended to disavow their capacity for violence? Part of the answer can be found in the representational habit of positing resistance as the logical negation of the thing being resisted. In the case of violence, this means that - since men wield violence against women in an effort to maintain relations of domination - the use of violence by women would only serve to strengthen the logic of domination itself. Rachel Neumann confirms this tendency when she describes the feelings that some anti-globalization activists had with respect to the Black Bloc riot. In her account, protester violence seems to reiterate existing power imbalances. “Property destruction,” she notes, “has often been linked with larger uses of violence […] Because of the way that men in particular are taught to repress and vent their anger, it often comes out as an exaggerated representation of masculinity, reproducing instead of contradicting the existing power structure.”

According to this logic, by using violence to smash the violent system, activists end by reinforcing the system itself. Here, violence is construed as a logical quantity, a sign that can only be negated by siding with its representational antithesis. But Neumann’s formulation says more about the state of our current political impoverishment (where everything is subsumed within the representational sphere) than it does about violence itself. And while it can be easily transposed into the field of representation, violence itself is not merely a representational act. Its political effects can’t be measured on a balance sheet of stable significations. By abstracting violence from its social context, by distilling it into a representational essence and disconnecting it from the world of lived experience, activists run the risk of foreclosing the possibility of even contemplating the political use of violence.”

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Black Bloc, White Riot: Anti-Globalization and the Genealogy of Dissent (via combat—wombat)

If you had asked me 2 years ago how I felt about “violence” (and/or destruction) as a tactic, I would have made some quip about violence being the status quo and how everyone needs to be less violent, especially “men.” But I thought about how I was often punished for violently lashing back at other kids who spoke a word against me in grade school, whereas men in my family would beat women like it was a standard procedure. I resented it a lot, and eventually had taken to the idea that I might as well denounce all violence in order to deal with that resentment. But one can only sit with such resentment for so long, before fantasizing about, even realizing some kind of retribution or destruction of that which strengthens resentment. Deep in my heart I’d love for a world in which everyone to be “less violent,” but I no longer believe in that world, like I no longer believe male-socialized people have a monopoly on “violence” or destruction.

(via suzy-x)

April 17th, 2012

"BEING GOOD at sexing is the same for everyone: pay attention, try stuff, use your words, be stoked!…"

“BEING GOOD at sexing is the same for everyone: pay attention, try stuff, use your words, be stoked! YOU CAN DO IT ARIA. WE WERE ALL BAD AT BLOW-JAYS ONCE. LOOK AT US NOW!”

-  pussy-strut
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April 17th, 2012

suzy-x: FREE CECE: A short zine by HEXX. Contains info on Cece…



suzy-x:

FREE CECE: A short zine by HEXX. Contains info on Cece McDonald, a black trans woman currently in prison for defending herself against a hate crime.

(Mind you, she’s facing the SAME charges as George Zimmerman, after being bashed by white supremacists.) Pass it on!

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April 17th, 2012

"One afternoon early last year, I punched in my credit card information, paid $495 to the American…"

One afternoon early last year, I punched in my credit card information, paid $495 to the American College of Forensic Examiners International Inc. and registered for an online course.

After about 90 minutes of video instruction, I took an exam on the institute’s web site, answering 100 multiple choice questions, aided by several ACFEI study packets.

As soon as I finished the test, a screen popped up saying that I had passed, earning me an impressive-sounding credential that could help establish my qualifications to be an expert witness in criminal and civil trials.

For another $50, ACFEI mailed me a white lab coat after sending my certificate.



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No Forensic Background? No Problem - ProPublica (via derasso)

WHO IS COMING OVER THIS WEEKEND?

April 17th, 2012

thespiritwas: Sylvia Rivera at Albany protest in…



thespiritwas:

Sylvia Rivera at Albany protest in 1971

activism.

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April 17th, 2012

emilysyrja: Since there are no women-only spaces this year,…



emilysyrja:

Since there are no women-only spaces this year, this ring from mikkipedia may end up assisting me in punching out bros during the speakout.

MIKKI HAPPY

April 17th, 2012

Makode Aj Linde (the artist behind "Painful Cake")

baddominicana:

thankyoubasedsantorum:

Can everyone see how this is not okay?

Look, we talk all the time about how black women’s pain is often co-opted or turned into a gimmick for white people’s goals—and we’ve even had great discussion about how people of color will do the same to black people. This is one of those times. I don’t know about Makode’s make-up, but I know they are not white. And this is bullshit.

At the end of the day, I don’t care what they were doing or what they thought they were going to accomplish—they put painful history of black women’s pain (not starting with but including the Venus Hottentot) on display for white people to “teach” them about said pain. I can’t even begin to describe how truly fucked up that is, and how it enrages me. Even within POC spaces, black women are at the bottom of the totem pole. Our pain is hung out to dry for the benefit of white people and when it backfires, it is even more worthless. If it can’t even be used for teaching fodder, what good is it?

I don’t care who Makode is; they are not for us. If they meant to shock, they could have done it with trivializing the pain of black women. If they meant to teach, they could’ve done so another way. I’m tired of our history supposedly being used for the benefit of other POC. Makode was allowed to be there, probably paid, invited to sit under a table and scream for the laughter and enjoyment of white people. That’s all it was. It didn’t do shit.

MOC sacrificing black women to appease whites?

this is the norm.

theyre just as keen on anti-black misogyny.

Here is his facebook page, if people want to comment there.

This is what he has said, according to Colorlines:

“Documentation from my female genital mutilation cake performance earlier today at stockholm moma. This is After getting my vagaga mutilated by the minister of culture, Lena Adelsohn Liljeroth. Before cutting me up she whispered “Your life will be better after this” in my ear,” the artist wrote on Facebook.

Sverigesradio.se has an interview with the artist that offers more context: 

Makode: It’s sad if people feel offended, but considering the low number of artists in Sweden who identify as Afro-swedish I find it sad that the Afro-Swedish Association haven’t followed my artistry and do not understand what my work is about.

What did the minister of culture say to you when she was there? Was she hesitant about eating of the cake?

Makode: I didn’t clearly see her reaction, but judging from the pictures she was surprised when she realised that the cake was living. And before she put the knife into me, into the cake, she said “Your life will be better like this”. And when she put the knife into me I started screaming and begged her to stop. This was a part of the performance.

But what was the thought behind you being a living head?

Makode: I wanted to somehow make the cake more human, not just a silent object. More interactive, simply.

Can we make a cake of him and cut it up?

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April 17th, 2012

"If I were a cinnamon peeler I would ride your bed and leave the yellow bark dust on your…"

If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.

Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under the rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbour to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler’s wife.



- from The Cinnamon Peeler by Michael Ondaatje (via atomiclanterns)
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